Showing posts with label Argo. Show all posts
Showing posts with label Argo. Show all posts

Sunday, June 1, 2014

George Clooney: More Than Just a Pretty Face

George Clooney was just within my reach. No, I wasn't in the running as a marriage candidate, but I came very close to meeting him in 2012 at a Q&A for the film Argo - one of the benefits of being a New York City gal, member of the Screen Actors Guild, and entertainment reporter about town. Ben Affleck was there, John Goodman, Bryan Cranston, (not to drop names :) and Clooney of course. Sometimes the actors, directors, etc. hang around after those events to meet and greet but not so this time - they were out the door as soon as it was over. But someone spoke to Clooney and detained him. He was standing right at the edge of the low stage. My plus one for the night hustled me over to him, knowing how much I would love to meet him. But I just froze, overcome with shyness. I just couldn't do it. Where were my reporter chops when I needed them?  Before I could summon my courage, Clooney fled into the night.

I, like women all over the world, wept when his engagement to Amal Alamuddin was announced...as if any of us ever had a chance! (Besides the fact that I'm, um, married.) At least he's ending up with a really smart woman, a human rights attorney, as a matter of fact, as opposed to a supermodel or sexy actress. It shouldn't really surprise us though, because even though his track record of dating hot young things pointed to the fact that perhaps he was a tad shallow, he's made a lot of meaningful decisions in the past several years about which films to act in, produce, and direct, including O Brother, Where Art Thou, Syriana, Good Night, and Good Luck, Up in the Air, The Descendants, and Argo to name a few. Not only that, but his record as an activist for social justice is impressive, especially the work he did in, and on behalf of, Darfur, using his celebrity to bring attention to that dire situation, and forming the organization Not on Our Watch to raise money for the cause, along with Don Cheadle, Brad Pitt, and Matt Damon. It turns out he's a man with principles who wants a woman who shares them. Good for him.

I will admit, I did briefly buy into the rumors that he might have been gay, especially after the night of the Argo screening. It wasn't that he was effeminate, it was just that he was so genuinely handsome, well-dressed, and charming - I don't know many straight men like that. But I guess he's put that rumor to bed (so to speak) once and for all.

As he ages, he's taking on a certain Sean Connery vibe, something he exuded in his 2014 film The Monuments Men. In other words, he's not losing his sexiness, it's simply evolving. However, there's another reason I mention The Monuments Men. Directed and co-written by Clooney, and produced by him and Grant Heslov, it was notable for more than the fact that it was an interesting and touching film. It was released in February, during awards season, the absolute worst time for a film to be released because everyone will have forgotten about it by the time nominations are announced for the following awards season, and way to early for it to be a summer box office hit: kind of a purgatory for mediocre films. And while it's true The Monuments Men may not be awards caliber, it stars some heavy hitters who are all excellent in it: Cate Blanchett, Matt Damon, Bill Murray, John Goodman, Hugh Bonneville, and of course Clooney. I got the impression that Clooney and Heslov really didn't care if it won awards or if people went to see it in droves. It was a story they were passionate about telling and so they told it. That spells sincerity and conviction to me. 

I used to feel silly admitting that George Clooney was one of my favorite celebrities, but no more. He's a man with a conscience who backs up his beliefs, and has finally found a woman who is his equal. After all, if I can't have him, somebody really great should. He has, indeed, turned out to be a lot more than just a pretty face.

Tuesday, December 18, 2012

The 2013 Screen Actors Guild Awards - An Insider's View


I promised to let my readers know which films I voted for this month as a member of the Nominating Committee for the Screen Actors Guild Awards. The decision was difficult, with hundreds of choices in some of the categories. Here are the films the Nominating Committee as a whole ultimately chose, as well as those I preferred, though not all my favorites made the final cut.

For Outstanding Performance by a Male Actor in a Leading Role the majority of the Committee chose:
Bradley Cooper - Silver Linings Playbook
Daniel Day-Lewis - Lincoln
Denzel Washington - Flight
Hugh Jackman - Les Miserables
John Hawkes - The Sessions

Of these, I had only picked Daniel Day-Lewis. I agree the above are all good choices, but I nominated:
Jack Black - Bernie
Jake Gyllenhaal - End of Watch
Bill Murray - Hyde Park on Hudson
Christoph Waltz - Django Unchained

For Outstanding Performance by a Female Actor in a Leading Role the Committee nominated:
Jennifer Lawrence - Silver Linings Playbook
Helen Mirren - Hitchcock
Naomi Watts - The Impossible
Marion Cotillard - Rust and Bone
Jessica Chastain - Zero Dark Thirty

I had chosen the first three, but in the other two slots I would have preferred:
Elle Fanning - Ginger and Rosa
Halle Berry - Cloud Atlas

None of my choices in the following category made it through. Nominated for Outstanding Performance by a Male Actor in a Supporting Role were:
Allan Arkin - Argo
Robert DeNiro - Silver Linings Playbook
Javier Bardem - Skyfall
Phillip Seymour Hoffman - The Master
Tommy Lee Jones - Lincoln

I agree all of these actors gave excellent performances. As a matter of fact, this was the most difficult category to choose from, but I had selected:
Jim Broadbent - Cloud Atlas
James Gandolfini - Not Fade Away
Samuel L. Jackson - Django Unchained
Michael Peña - End of Watch
Christopher Walken - Seven Psychopaths

For Outstanding Performance by a Female Actor in a Supporting Role only my choices of Sally Field and Anne Hathaway were in line with the majority of the Committee. These were its nominees:
Sally Field - Lincoln
Anne Hathaway - Les Miserables
Helen Hunt - The Sessions
Nicole Kidman - The Paperboy
Maggie Smith - Best Exotic Marigold Hotel

I would have preferred:
Anna Kendrick - End of Watch
Laura Linney - Hyde Park on Hudson
Natalie Martinez - End of Watch

And I was way out of sync with my fellow SAG members for Outstanding Performance by a Cast in a Motion Picture. They chose:
Lincoln
Silver Linings Playbook
Les Miserables
Flight
The Sessions

My choices were:
Lincoln
Argo
Cloud Atlas
End of Watch
Moonrise Kingdom

As you can see, I had a great preference for End of Watch and Cloud Atlas, two of my favorite films of the year, but they didn't end up in the final nominations at all. That's disappointing to me, especially when it comes to End of Watch. I rarely have seen such spot-on, moving performances as I did from the young actors involved in this riveting film about two cops, close as brothers, dealing with their dangerous work in a bad LA neighborhood, their love-lives, and families. I suppose Cloud Atlas wasn't to everyone's taste, but when you consider each principle actor played many different roles in the film, it was truly an amazing feat (besides the fact that the back-and-forth-in-time plot appeals to a time-travel author such as myself). Django Unchained, starring Jamie Foxx, Christoph Waltz and Leonardo DiCaprio, was also completely overlooked and I think that's because the producers didn't send the Committee members a DVD, and the screenings were held late in the season; therefore not as many saw it. It's also enormously violent (it is a Tarantino film after all), so perhaps it turned some members off. But there's no denying that some of the most exceptional performances of the year were in this funny, deeply emotional film. And honestly, though Les Miserables is a brilliant piece of film-making, and there's no arguing the performances were exceptional, I'm not a huge fan of musicals so I wasn't moved to nominate many from that cast.  

There were some lovely pictures out there this year that would certainly appeal to most audiences, some nominated, some not, such as Moonrise Kingdom, Hitchcock, Celeste and Jesse Forever, Bernie, The Magic of Belle Isle, Quartet, The Perks of Being a Wallflower, Won't Back Down, The Intouchables, This is 40, Anna Karenina and Hyde Park on Hudson. There were a few I missed seeing during the screening process, but I heard were very good, which you might want to check out, including: Jeff Who Lives at Home, Amour, The Bachelorette, and Killing Them Softly. Those that I really didn't care for, though perhaps you will feel differently about, are: The Master, On The Road, A Late Quartet, The Grey, Magic Mike and The Paperboy.

Please check ratings before you go. Many of the films from this year are very violent or sexual. If you have a delicate stomach you won't go for Django Unchained, Cloud Atlas, End of Watch, The Impossible, Flight, or Seven Psychopaths.

My favorite movie of the year is one you won't see on the above lists of nominations because it's so Indy that the actors weren't members of the Screen Actors Guild at the time they made the film and therefore not eligible for its award. However, I believe you'll see Beasts of the Southern Wild crop up at the Academy Awards - truly the most inventive, moving, gorgeous, surprising film I saw this year, with some of the most outstanding performances from completely unknown actors.

And now, a recap: Here are my top ten favorite films of the year in order of preference:

1. Beasts of the Southern Wild
2. End of Watch
3. Moonrise Kingdom
4. Lincoln
5. Argo
6. Cloud Atlas
7. Django Unchained
8. Life of Pi
9. Hitchcock
10. Silver Linings Playbook

Whether you catch them in theaters or at home, don't miss this exciting and exceptional season in motion pictures.