Tuesday, December 18, 2012

The 2013 Screen Actors Guild Awards - An Insider's View


I promised to let my readers know which films I voted for this month as a member of the Nominating Committee for the Screen Actors Guild Awards. The decision was difficult, with hundreds of choices in some of the categories. Here are the films the Nominating Committee as a whole ultimately chose, as well as those I preferred, though not all my favorites made the final cut.

For Outstanding Performance by a Male Actor in a Leading Role the majority of the Committee chose:
Bradley Cooper - Silver Linings Playbook
Daniel Day-Lewis - Lincoln
Denzel Washington - Flight
Hugh Jackman - Les Miserables
John Hawkes - The Sessions

Of these, I had only picked Daniel Day-Lewis. I agree the above are all good choices, but I nominated:
Jack Black - Bernie
Jake Gyllenhaal - End of Watch
Bill Murray - Hyde Park on Hudson
Christoph Waltz - Django Unchained

For Outstanding Performance by a Female Actor in a Leading Role the Committee nominated:
Jennifer Lawrence - Silver Linings Playbook
Helen Mirren - Hitchcock
Naomi Watts - The Impossible
Marion Cotillard - Rust and Bone
Jessica Chastain - Zero Dark Thirty

I had chosen the first three, but in the other two slots I would have preferred:
Elle Fanning - Ginger and Rosa
Halle Berry - Cloud Atlas

None of my choices in the following category made it through. Nominated for Outstanding Performance by a Male Actor in a Supporting Role were:
Allan Arkin - Argo
Robert DeNiro - Silver Linings Playbook
Javier Bardem - Skyfall
Phillip Seymour Hoffman - The Master
Tommy Lee Jones - Lincoln

I agree all of these actors gave excellent performances. As a matter of fact, this was the most difficult category to choose from, but I had selected:
Jim Broadbent - Cloud Atlas
James Gandolfini - Not Fade Away
Samuel L. Jackson - Django Unchained
Michael Peña - End of Watch
Christopher Walken - Seven Psychopaths

For Outstanding Performance by a Female Actor in a Supporting Role only my choices of Sally Field and Anne Hathaway were in line with the majority of the Committee. These were its nominees:
Sally Field - Lincoln
Anne Hathaway - Les Miserables
Helen Hunt - The Sessions
Nicole Kidman - The Paperboy
Maggie Smith - Best Exotic Marigold Hotel

I would have preferred:
Anna Kendrick - End of Watch
Laura Linney - Hyde Park on Hudson
Natalie Martinez - End of Watch

And I was way out of sync with my fellow SAG members for Outstanding Performance by a Cast in a Motion Picture. They chose:
Lincoln
Silver Linings Playbook
Les Miserables
Flight
The Sessions

My choices were:
Lincoln
Argo
Cloud Atlas
End of Watch
Moonrise Kingdom

As you can see, I had a great preference for End of Watch and Cloud Atlas, two of my favorite films of the year, but they didn't end up in the final nominations at all. That's disappointing to me, especially when it comes to End of Watch. I rarely have seen such spot-on, moving performances as I did from the young actors involved in this riveting film about two cops, close as brothers, dealing with their dangerous work in a bad LA neighborhood, their love-lives, and families. I suppose Cloud Atlas wasn't to everyone's taste, but when you consider each principle actor played many different roles in the film, it was truly an amazing feat (besides the fact that the back-and-forth-in-time plot appeals to a time-travel author such as myself). Django Unchained, starring Jamie Foxx, Christoph Waltz and Leonardo DiCaprio, was also completely overlooked and I think that's because the producers didn't send the Committee members a DVD, and the screenings were held late in the season; therefore not as many saw it. It's also enormously violent (it is a Tarantino film after all), so perhaps it turned some members off. But there's no denying that some of the most exceptional performances of the year were in this funny, deeply emotional film. And honestly, though Les Miserables is a brilliant piece of film-making, and there's no arguing the performances were exceptional, I'm not a huge fan of musicals so I wasn't moved to nominate many from that cast.  

There were some lovely pictures out there this year that would certainly appeal to most audiences, some nominated, some not, such as Moonrise Kingdom, Hitchcock, Celeste and Jesse Forever, Bernie, The Magic of Belle Isle, Quartet, The Perks of Being a Wallflower, Won't Back Down, The Intouchables, This is 40, Anna Karenina and Hyde Park on Hudson. There were a few I missed seeing during the screening process, but I heard were very good, which you might want to check out, including: Jeff Who Lives at Home, Amour, The Bachelorette, and Killing Them Softly. Those that I really didn't care for, though perhaps you will feel differently about, are: The Master, On The Road, A Late Quartet, The Grey, Magic Mike and The Paperboy.

Please check ratings before you go. Many of the films from this year are very violent or sexual. If you have a delicate stomach you won't go for Django Unchained, Cloud Atlas, End of Watch, The Impossible, Flight, or Seven Psychopaths.

My favorite movie of the year is one you won't see on the above lists of nominations because it's so Indy that the actors weren't members of the Screen Actors Guild at the time they made the film and therefore not eligible for its award. However, I believe you'll see Beasts of the Southern Wild crop up at the Academy Awards - truly the most inventive, moving, gorgeous, surprising film I saw this year, with some of the most outstanding performances from completely unknown actors.

And now, a recap: Here are my top ten favorite films of the year in order of preference:

1. Beasts of the Southern Wild
2. End of Watch
3. Moonrise Kingdom
4. Lincoln
5. Argo
6. Cloud Atlas
7. Django Unchained
8. Life of Pi
9. Hitchcock
10. Silver Linings Playbook

Whether you catch them in theaters or at home, don't miss this exciting and exceptional season in motion pictures.












Wednesday, November 28, 2012

The Next Big Thing
...


Coming in December 2012: The Time Contessa

How did you come by the idea?
This is the third book in my time-travel series. In the first book, The Time Baroness, my heroine Cassandra travels to Jane Austen’s England; in the second, The Time Heiress, to pre-Civil War New York City. In this third, upcoming, book, The Time Contessa, she travels to Renaissance Italy. The idea for The Time Contessa comes from the mention of another character in the earlier books, Jake,who time-traveled to Renaissance Florence some years before, but screwed something up in the time-line. So he and Cassandra now have to go back and fix it. This was a great opportunity to create a new male character that Cassandra falls for: Lauro Sampieri, a charismatic, artist and inventor.


What genre does your book fall under?

I like to call my books “romantic, time-travel,” as opposed to “time-travel romance,” because they are not traditional romances. They could also fall into the categories of sci/fi, and historical fiction.

Which actors would you choose to play your characters if it were a movie?

I always have in mind Nicole Kidman for Cassandra. I think Javier Bardem or Robert Downey Jr.  would do nicely as Lauro, and I'm pretty sure Jake Gyllenhaal would be a great Jake (nice coincidence about the name too!).

What is the one-sentence synopsis of your book?

"Forced to travel back in time to Renaissance Siena with her colleague Jake to solve a mystery about a famous painting that's suddenly ceased to exist, Dr. Cassandra Reilly finds herself struggling to resist the romantic spell that threatens to derail her mission to restore the future, while keeping Jake from permanently falling victim to the past."

How long did it take you to write the first draft of your manuscript?

About six months. But before that there were a couple of months of research, which remained ongoing while I wrote. I thought I knew a lot about the Italian Renaissance, but I definitely learned things that surprised me; I think they'll surprise the reader too.

What other books would you compare this story to within your genre?

It's hard to compare it to books in my genre, because very few deal with time-travel the way I do. But I'd have to say The Outlander Series by Diana Gabaldon isn't too far off, though her books are quite a bit more violent than mine. Then, as far as historical fiction: Birth of Venus by Sarah Dunant.

Who or What inspired you to write this book?

My life-long love of Italy, the Italian language, the country’s art, it’s culture, food, and let’s not forget its men, inspired me to want to set one of the books in my series there. I studied in Florence for a summer, long ago, and more recently had a vacation in a farmhouse in Tuscany for a week, and I thought: there’s no more beautiful or romantic place in the world than this. But also, I am passionate about the art of the Italian Renaissance: Michelangelo, Da Vinci, Donatello, Rafael…so I wanted to write a book that really focused on the art as well.

The hilarious Barbara Silkstone tapped me for
The Next Big Thing.
I’m passing the tap onto the amazing 
Cara Bertoia, travel-novelist and adventurer!
http://carabertoia.blogspot.com/

Friday, November 16, 2012

An Exciting Year, Rubbing Elbows With the Stars!

Lordy, lord, what a year. Here's a wrap up of all the stars I've met this fall, being a member of the Screen Actors Guild Nominating Committee, as well as my take on many of the films.
http://connect.chicklitclub.com/wp/2012/12/02/best-of-the-best/
Ewan McGregor
By the way, Mr. Ewan McGregor is my first choice to star as the hero in the film version of my book, The Time Baroness. When you read it, picture his face as Ben.
Jake Gyllenhaal
Denzel Washington
George Clooney
Ben Affleck
Hugh Jackman
Paul Rudd



Garrett Hedlund


Irrfan Kahn




Matt Damon







Monday, November 5, 2012

The World's First e-ESL Book! Seriously!

I have a very exciting announcement to make. The amazing writing team of Jonathan Ellis and Georgina Young-Ellis, through LTB Productions, has just released the world's first book for students of English as a Second Language written specifically to be used with an electronic reader (Kindle, Ipad, smart phone, PC, Mac, etc.) It's called Making English Your Second Language and it's for sale on Amazon for only $4.99. Can you believe it? A chance for English learners to  download an ESL book directly onto their electronic device or computer! Students can practice reading and vocabulary by clicking on words and getting instant definitions, practice listening to fascinating stories with immediate audio links, review their grammar with fun lessons and exercises, and get writing practice using interesting, current topics.

Teachers can also use the book in the classroom! Just think, students won't have to purchase expensive, heavy books, and educators won't have to worry about about materials getting ruined, marked up, or lost. In a group atmosphere, the writing topics instantly become energetic conversation topics.

Making English Your Second Language brings English learning into the 21st century. If you know anyone who might benefit from this book, please pass on the link, or check it out yourself to see how it might be useful to you or an organization you know of. Remember, it's best used by intermediate to advanced English learners.

Sunday, October 14, 2012

Sample Read of The Time Baroness


Chapter 1

July 25, 2119—The lace tablecloth was almost real beneath my fingers. Settings of fine china, sterling silverware, and crystal goblets glimmered before me. I wore a burgundy gown in the Empire fashion; it was pretty, but the fabric was stiff and chafed under the arms. The waistband of my underwear was too tight. I pulled at it; did anyone notice? My leg itched, and I couldn’t help but scratch it.
The hostess gave me no clues about how to conduct myself in the formal setting. She was a woman several years my senior, wearing a silvery satin gown. The other guests seated around the table made small talk about the weather. One large-busted lady with pudgy hands asked me, with a sneer, about my journey from America.
“Lovely,” “Delightful,” “Nauseating…” I tried all of the above, but she merely rolled her eyes and looked away.
An elderly man, with a hump on his back, stared at me sullenly from under his bushy eyebrows without saying a word. A plain younger lady, dressed in lavender silk, snickered at my responses.
A glass of ruby wine sat before me on the table, beckoning. Though I was thirsty, I did not pick it up. Finally, a servant came from behind and ladled a greenish soup into the bowl at my place. To my right were several spoons laid out, all similar in size. I chose the one furthest from the bowl, and, after waiting for the hostess, began to eat. The soup was bland, but I was hungry, and devoured it. Suddenly, the conversation flagged. I looked up to see the other guests staring at me, aghast. I dropped the spoon into my bowl, and the room and the people all faded away.
I was left sitting in the black simulation room on a folding chair with a card table in front of me, on which there was a bowl of soup and a glass of wine. Jake’s voice boomed out of the darkness.
“Cassie! What was that?”
“I was hungry.”
“It doesn’t matter! If you’re at a dinner party, you have to eat like you’re barely interested in the food. You’ve got to make conversation between delicate bites, not down the meal like a football player!”
“I’m sorry. Can we start again?”
“We’ll start from when the soup gets served.”
I repeated the dinner party simulation five times before getting every detail correct.
—Cassandra Reilly, prep-journal

Cassandra’s son burst into her office, startling her. “Doing a little shopping, Mom?”
She laughed. It was always good to see him. Above her desk, a holographic, brown velvet gown slowly rotated. “Yes, this one is nice. What do you think?”
“I have no opinion.” He pushed his shaggy black hair out of his face and plopped into a chair.
“I think it will do. I shall have Shannon put it together for me and fit it, then that will make six dresses. They are quite lightweight for winter gowns; it’s a miracle, I mean, it is a miracle women did not freeze to death. But, then, I will be wearing a heavy cloak and winter shoes, so there will be less to pack. I shall order more in London when I get there and have them sent down to Hampshire. I wonder  how long will it take.”
James opened his mouth, but Cassandra cut him off before he could speak, “probably a couple of weeks,” with a command, she called up an array of shoes, gloves, and bags on the display. “Women then did not have as many changes of clothes as we do now, six should be enough. Well, maybe one more for good measure.”
“Mom, don’t go crazy. Remember, you’ll also be carrying nightclothes, underwear, and God knows what else women needed back then.”
“They did not have heavy undergarments in 1820. No corsets or bustles—I do not think I could deal with that.”
“Yeah, but you also have to take a cosmetics case with all your potions and creams and stuff.”
“Yes, you are right. I will just be carrying my luggage from the portal exit to The White Hart Inn, but it cannot be so much that I’m not able to handle it by myself.”
“You used a contraction.”
“Pardon?”
“You said, ‘I’m’ instead of ‘I am.’”
“Oh, thank you.”
“By the way, how did the inquest go?” James’s dark eyes sparkled.
Cassandra chuckled. “It was not exactly an inquest. Just a ritual we have to go through with the Board of Trustees every year to make sure we have the funds for the next project.”
“Which hopefully will be my journey.”
“Yes, but you have to pick a time and place, and if you do not submit a proposal soon, you might get passed over. Suhan is next in line after you, you know.”
“Yeah. Anyway, I came in here to tell you that we’ll be ready to put Jake through the portal on January second, and as soon as he has all your details secure and he’s back, you go.”
“Excellent.” What a gorgeous evening shawl that now spun in the air before her eyes!
“I wish I could go with him,” James said suddenly.
She turned from the shawl. “Why?”
“Because I want to make sure he gets everything right.”
“Oh, please, Jake is an experienced time-traveler. I trust him completely.”
“Yeah, but I’m worried about you going for so long, and if I were there, at least I could be certain that he finds you the perfect house, in the perfect place—”
“I have never known you to be so concerned about me. I think you just want in on the action.”
“No, that’s not true. I’m very concerned about you. You’re going to be gone a long time, and you’re going to be all on your own. I’ll be worried about you.”
“I appreciate that, sweetheart,” she said. Could he possibly be sincere? “However,  the more we just focus on getting the details of my trip right in the here and now, the better off I shall be. Speaking of which, how is the coin duplication going?”
“Slowly. I still don’t see why Jake can’t just open your account with bills. Everyone used them then, especially in such large quantities.”
“James, we have been over this. If we used bills, it would just be counterfeiting, and frankly, it would be a little harder to reproduce the look and feel of them as accurately as gold coins, since we have almost no examples of the bills. And,  just like counterfeiting, introducing that many bills into the circulation that have no silver or gold to back them up would impact the economy negatively. Not hugely, and not for a while, but the last thing we want to do is cause any significant impact, negative or not.”
“The good old Bank of England will sure be surprised when Jake walks in with a bag full of gold. I just hope he can get it safely from the portal exit to The White Hart, and then from there to the bank.”
“It will be a challenge, but Jake can handle it. He is a strong man, and he does not have to carry many other things, like I do.”
“Too bad they didn’t have hover-luggage back then.”
“Or at least luggage with wheels. Has Jake identified a realtor?”
“Mom, I’m sure they weren’t called realtors.”
“Right you are—purveyors of property. Thank you.”
“Well, the research shows that one of the most reputable ‘purveyors of property’ was Hacket and Smith, so Jake’s going to try them first. And January’s a good time to put a house up for rent.”
“‘Let’ a house James, say ‘let.’ I have to get used to using the right words.”
“Okay, ‘let’ a house. You’re the one who has to say it, not me.”
“I am practicing.”
“I know. Anyway, everyone will be in town for ‘the season,’ as they say, including those who may have great property wealth but little cash to speak of. It won’t be hard to find the sort of family that’s eager to let their estate, complete with furniture and all but their own personal servants for at least a year; especially if you’re willing to pay well, which you are.”
“Just like in Persuasion,” mused Cassandra.
“Right,” James said, rolling his eyes.
“Well, I know you do not understand, but that is the life I want to experience. I want to go, be a good little Hampshire tenant, live quietly in 1820 for a year, mingle as unobtrusively as possible in society, and just live life as closely as I can to how Jane Austen lived it. I will actually be there three years after her death; as you know, I will also be richer than she was, and I will not have my family about me like she did. I am older than she was when she died, and a widow (she never married), but I will be a single woman in more or less her class of society. I am just going to soak in Jane’s countryside, her home, her England.”
“Sounds fascinating.”
“Well, you do not have to comprehend my reasons. I am just glad you are part of the team. You know the technical aspect almost better than I do, and that makes me feel safe.”
James leaned forward in his chair. “Could you just tell me one more time why you’re not going a few years earlier so you can meet ole’ Jane herself? I don’t get it.”
Cassandra sighed. “Because I do not want to…it is too…” She’d had trouble explaining this before, even to the Board. “I guess I do not want to intrude on her life. Meeting her is not the object; understanding the world she lived in is.”
“Whatever you say.” James stood and ruffled the top of his mother’s hair.
Twenty-four years old, and still a pest. “Please refrain from doing that, James. You know I do not like it.” She rearranged her auburn curls.
“That’s why I do it,” he returned with a grin. “See ya later, mom.” He bounded out the door.
She shook her head with a smile, and went back to the hologram of a particularly adorable pair of evening slippers that were slowly twirling around in space above her desk.

Jan 1st, 2120—First day of the New Year. I’m so excited about my upcoming journey, my stomach is churning, my mind is racing, and I’m trying not to turn into a complete nervous wreck. Jake leaves tomorrow to get things set up for me. Depending on how long it takes him to get everything ready, I’ll go about two weeks later. So today, I spent some time checking in on my townhouse in Boston with the virtual-cam, just to make sure everything’s in good order there. I’ve been doing it every couple of weeks since we moved to our temporary lab in London, and I probably won’t have another chance before I leave.
As I virtually walked through the old house, I realized how much I miss it. I remember when Franklin and I bought it; we couldn’t believe our luck at finding a place that, though nearly three hundred years old, was large enough to accommodate the Steinway (which I also desperately miss). Going from room to room in that home we made together brought back so many memories about our life, and raising James there.
When James asked me a few days ago why I’m making this journey, I realized I hadn’t been totally honest with myself, with him, or with the Board. Yes, of course, the main reason is to experience Regency England thoroughly, as no mere historian could. Franklin always knew I wanted to visit that time, and would have been so supportive, though if he’d still been living, I wouldn’t have gone for an entire year. He sacrificed so much…even his life, to further understand and perfect time-travel, so, in a way, this trip is to honor him. To that end, I’ll be using his first name as my last. However,  in another sense, I’ll be finally leaving him and his death behind. It’s been five years. Five years of struggling to do my work, and to see James through the loss, and to deal with it the best I could. Now, just let me escape. Let me fall into a world where no-one knows me, where I can see new things and meet new people in a place where nothing reminds me of him. Maybe doing that for a year will make me feel like a new person. Then I can return fresh, having taken a break from the present for 365 days.
-Cassandra Reilly, prep-journal

It was nine-thirty at night, Tuesday, January second. The entire team, including Cassandra, gathered in the crowded lab that had been constructed in a London alleyway. From the outside, it resembled a long rectangular metal box with a door at the front, essentially a glorified trailer. It took up every square centimeter of the alley, which dead-ended after about thirty meters, and was about two and a half meters wide, situated just off Long Acre in Covent Garden. It seemed nothing about it had changed at all in the last three hundred years, other than in present day it was used for the recycling waste of the buildings on either side. The Chronology Department had paid the building managers well to make other arrangements for the fourteen months or so that the lab would be in place. Tonight, the passersby and residents of the area had stared at Cassandra  as she entered, like they always did, and at the strange edifice with many odd antennae, poles, and wires protruding from the roof. Its true purpose was a secret, at least for now. Although the general population had known of Carver’s discovery of time-travel for many years, it wasn’t helpful to have the curious snooping about.
At the back of the lab was the pod, a vertical tube accessed by a sliding door. In many ways, it resembled nothing more than a shower stall. Jake stood in front of it, ready to go, in a brown waistcoat and high-collared white shirt, slim, high-waisted trousers covering black boots, a double-breasted frock coat for warmth, and a tall, black hat on his head. In one hand, he held a small satchel of extra clothing, in the other a bag filled with the equivalent of five hundred British pounds in gold coins. He would fit in just fine with his pale skin, light brown, wavy hair, blue eyes, and open, friendly face. He and Cassandra had practiced the speech and mannerisms of Regency England endlessly while they participated in the virtual reality simulations. She was confident he was prepared for this moment.
Small flickers of light darted back and forth on the heat sensor monitor—cats and rats, by the size of them—but no humans in the alley. Cassandra chewed on her nail. Another half hour ticked by. Come on, let’s do this! It would be cold and dark in that alleyway when Jake emerged; the date would even be two days later just because of the change of calendar from one year to the next. The streets would probably be empty on a frigid January fourth, which was good, but if they waited much longer, the inn might be closed for the night. Jake stepped into the pod with his bags, and everyone stood ready at their stations. James was manning the travel mode. Cassandra looked over his shoulder. Yes, the functions were correctly set; all systems were go. Jake waved enthusiastically, the pod door slid closed, the computer sounded a tone, the pod hummed, and within a second, he was gone. In a matter of days, it would be her turn.
 
Chapter 2

Why is it so dark? Cassandra groped around, trying to grasp something that would let her know for sure she’d emerged from the portal exit. A faint flicker came into her field of vision: firelight glowing in the few small windows of thick glass that shone onto the alleyway. A gas lamp softly glowed out on the street. Of course! Electricity made a huge difference to the brightness of a city, and here there was none. She turned her head skyward. Above her were a million stars—a peculiarly vivid night sky for London. She shook her head to clear it; she had to hurry. It would be dangerous to be caught there alone; she clutched the knife in her cloak pocket. A second later, the cold hit her. She wasn’t dressed for it. She let the knife fall back into her pocket, grabbed her two bags, and ran to the street. She turned left; the inn was just one short block away. She passed only two or three people hurrying through the freezing night air. In a matter of minutes, she arrived at The White Hart Inn and breathed a sigh of relief. A doorman showed her in with a look of surprise and immediately relieved her of her bags, which were then passed off to the bellman...

Tuesday, October 2, 2012

A New Release and a Chance to Vote for Your Favorite Cover Picture

1
Which of these pictures do you like best for the cover of The Time Contessa? Please comment and let me know.
2


I'm so excited, I just released a new, revised version of The Time Baroness! This is my first baby, and I've always loved it, of course. But, after getting a second book under my belt, and being on the verge of releasing a third, I felt that I'd grown as a writer, and that it was time to go back in and see where The Time Baroness could be tightened up and improved. Sure enough, I did find some spots that needed cutting, tweaking, re-wording, or changing altogether. I feel I've added another level that will probably be subtle to those who've read it before, but I hope will provide a more satisfying read to those delving in for the first time. I also changed the ending just slightly - I think it's juuuust right! It's still not a traditional romance, so be forewarned. But isn't that refreshing? The Time Baroness combines a little sci/fi, a little fantasy, a little history, and a little sex, with romance, danger and adventure. I think it's unique...really, gender-defying.

I hope you will really enjoy it. If you do, please check out the second in the series, The Time Heiress (both available along the side of this blog). And then, keep an eye out for the third in the series, The Time Contessa, and please take a moment to vote for the picture you think would make the best cover!

Just to wrap up: In The Time Baroness, my heroine, Cassandra, travels to Jane Austen's England, in The Time Heiress, she goes to pre-Civil War New York City, and in The Time Contessa, she'll be traveling to Renaissance Italy. There's romance, adventure, danger and some steamy moments in all three! Come on the journey with me!

3

4

Friday, September 21, 2012

Two Gyllenhaals in Two Weeks! Thanks, SAG Awards!

Jake Gyllenhaal
What could be better than seeing a whole season's worth of first-run films in the movie theater? Seeing them for free! This year, I was randomly chosen to be on the Screen Actors Guild Nominating Committee... Woohoo! This is not an honor I take lightly. When a SAG member takes on the sacred duty, he/she has to agree to see as many screenings as possible, and stay for the Q&A whenever they can. I signed on that dotted line quicker than you could say...well, you get the picture. Of course, only SAG members living in LA or New York get to be on the committee, because those are the only places they have the special screenings. Makes you really feel like a big shot. 
Michael Peña
So, let me give you a run down of those films we've already seen, though I promise to update if I see others worthy of comment. The first one we saw, about a month ago, was Beasts of the Southern Wild. This is a super indie film that was picked up by the Weinstein brothers. I won't say anything about the plot because I want you to be as surprised as I was. Do yourself a favor, and, if you have the chance, run, don't walk, to the nearest theater it's playing in. It just won't have the same impact on the small screen. Also, don't read anything about it ahead of time - just take my word for it. It's a little disturbing, but not terribly so, and though the main character is a child, she isn't harmed. However, what you will see will have your jaw hanging open. I was gripping the arms of my seat, screaming inside my head, "What the f---!" pretty much the whole time. Yet, equally, the movie manages to come off as spiritual, uplifting and just, plain remarkable. It's a complete and perfect work of art.
Beasts of the Southern Wild

On the Road
The Master
The next two films my husband, Jon, and I were invited to (because I get to bring a guest) were On the Road and The Master. I was excited about On the Road mainly because the live Q&A was going to  be with Kristen Stewart, Garrett Hedlund and director Walter Salles, of The Motorcycle Diaries, one of my favorite films. Well, this one was a letdown. I mean, it was gorgeously filmed and the acting was great...even Kristen Stewart who couldn't breathe life into the inane Twilight series was magical in On the Road. The problem was how, and why, would you make a film out of that iconic Jack Kerouac book? You can't, and Salles shouldn't have. So thumbs down on that one, and no amount of seeing the stars talk about it in person could convince me otherwise.

The following night we went to a gala-like event at the enormous, 1920's theater, The Zeigfeld, where stars like Rosie Perez and Gabourey Sidibe sauntered right by our seats, and we were greeted with opening remarks by Harvey Weinstein and Amy Adams! Well, the night could have ended right there for me. And it would have been better if it had because the movie, The Master, was dreary. It was like being in acting class: scene after scene of Phillip Seymour Hoffman and Joaquin Phoenix emoting in uber-dramatic situations, with a boring plot that just dragged on and on. Another thumbs down - I don't care what the critics say.

Then a week ago Friday, September 14th, we were treated to a screening of End of Watch. This is another absolute must-see; reminiscent of Crash, but less slick. It's about police officers in East LA going about their dangerous work and filming it with a hand-held camera when possible, or tiny lenses pinned to their uniforms, or set on the dashboard of their car. It is a nail-biting, wrenching ride through a world most of us would rather never know about and it gave me a whole new appreciation of what cops go through - not all cops of course, but those with the toughest beats. AND...the Q&A was with Jake Gyllenhaal and Michael Peña! Heehee! Eat your hearts out gals. Yes, Jake is every bit as handsome and charming in person as you'd expect, but I kind of had more of a thing for Peña. Good for me too, because walking out of the theater, we ran into him, and had a private chat walking down 6th Avenue. He didn't even seem to think we were stalking him! (We weren't.)

Finally, last night, the 24th, we took in Won't Back Down, with a Q&A by Maggie Gyllenhaal (the G-haals are big this year), Rosie Perez (she's just everywhere isn't she?), and Viola Davis (winner of the 2011 SAG Best Actress award for The Help). Jon was especially excited about this one because he's been in love with Maggie G. ever since seeing her in Stranger than Fiction. The film was really excellent, and all the above mentioned actresses were at the top of their games. It was particularly exciting, after seeing their performances, to find that they were as passionate off screen as on about the subject of the film - all of them so inspired and inspiring. Then, as an extra bonus, we found ourselves behind Ms. Gyllenhaal as we were on our way out of the theater (again!). I told her how much we enjoyed her performance and thanked her for her time with us as if I really were a big shot! (I was wearing a particularly great dress too, so I think I made a nice impression.) Maggie shook our hands and was very gracious. And beautiful...even more so than on screen. Jon was so floored he couldn't speak.
Rosie Perez

If you're really nice to me, maybe I'll invite you to be my guest at the next screening, though you'll have to fight my husband, son, and best friend, in that order, for the privilege. It's so nice to be important!

Maggie Gyllenhaal